Scenes from Mantis…sort of

Redford in The Sting

The Sting was on the other night and I felt like I was catching glimpses of scenes from Mantis. What a gorgeous set—the dark alleys and walk-ups, the milk bars, the steam trains, the El. It’s Depression-era Chicago (1936) but it would work just as well for Manhattan 1940… even with the elevated train, which ran through the Lower East Side, where Lucas makes his home soon after travelling back in time.

And sure, no doubt I had The Sting lurking in the back of my mind while writing Mantis. When I was about nine, the local cinema was rerunning the film and my parents took me to it. The plot totally bamboozled me. I didn’t understand the whole con thing—good guys who were also bad guys pretending to be good guys trying to take down worse guys. I kept elbowing my mom and asking her what the hell was going on. But still, I loved the movie, mostly because of Redford. For a couple of years afterward I kept asking barbers to cut my hair just like his. Never quite got the look I wanted. And hey, I’d still give the cut a shot if my hair would cooperate.

If you’d like a peek at what Mantis will look like when it hits the big screen (fingers crossed!) check out these short clips and stills from The Sting.

There’s a scene in Mantis where Lucas and his partner Olivia meet in a milk bar just like one:

Depression-era milk bar

Depression-era milk bar

No cell phones! It’s over rotary phones in booths like these where Lucas exchanges crucial information.

1930s phone booth

1930s phone booth

Love these hump-shaped cars. Makes for a slower chase scene, but no less dramatic.

1930s car

1930s car

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